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LET’S HEAR IT FOR THE RECIPIENTS OF THE 13TH BOH CAMERONIAN ARTS AWARDS (BCAA) TECHNICAL AWARDS & JUNIOR CAMMIES! : aforadio.com
Kakiseni and BOH Plantations proudly announced the best local stagecraft practitioners and young performing artists in Malaysia
KUALA LUMPUR, 11 APRIL 2016 – It was a whirlwind day of awards as Kakiseni and BOH Plantations honoured the men and women who work tirelessly behind the scenes as well as the aspiring future stars of Malaysian theatre.
Today, Kakiseni and BOH Plantations fêted the recipients of the 13th BCAA Technical Awards at Kakiseni Central Command in recognition of their outstanding effort in categories including light, set, sound as well as costume, styling and make-up for dance, musical theatre and theatre. Without the dedication and hard work of these practitioners, our experience of the performing arts wouldn’t be as immersive or enjoyable.
Zen Tan, recipient of the Best Set Design award in Theatre, for The Dawns Here Are Quiet, said it was a “magical experience” to hear her name called out. Calling it “unexpected”, this is the first time Zen has won this award.
Another first-time recipient, Clarence Chua, who won Best Sound Design in Theatre, for indicinelive! The Revival Show 2015, was “stunned” and “shocked” as it was also his first ever nomination. Freddy Tan and Siti Farrah Abdullah, who co-produced the show under SIFU Production, were very proud of Clarence and his win. They said that Clarence “was easy to work with” and that he was a quick study who “understood non-technical terms”.
It was also a day for celebrating the hugely successful Junior Cammies again. Introduced last year, the awards sought to reward the best musical theatre staged at local secondary schools. This year, it also includes theatre productions providing a bigger impetus for students to stage more plays and improve to stand a chance of winning an award.
The Junior Cammies are an especially exciting and important award because the young people nominated represent the changing of the guard for local performing arts. By encouraging them to strive towards excellence in theatre, Kakiseni and BOH Plantations hope to ensure the continuity of performing arts in Malaysia will not go unbroken.
Junior Cammy recipient, Brendan Tang was awarded Best Principal Role for Theatre, for his performance in “The Ketchup Bottle” in Sri Emas International School’s Student Directed Festival Season 1. Calling his win “surprising” but “nice”, Brendan said performing in front of so many people was “nerve wrecking”.
While Reuben Chow, who was awarded the Junior Cammy for Best Production Design in Theatre, together with Shahrizuan Shaharuddin, for their work in “Fugue” in another Sri Emas production, Student Directed Festival Season 2, said that their win gave him “more drive to continue” and “it was good to receive this as an acknowledgement”.
“So many aspects are involved in the staging of any performing arts. Not only do we have the performers engaging with the audience, we also have our backstage superheroes. These are the people who work tirelessly around the clock to ensure that every little detail that can lend impact to the ambience and setting on stage are looked into. Therefore, the Tech Awards act as a great avenue to pay tribute to the technical teams who have been hard at work,” said Caroline Russell, CEO of BOH Plantations.
“For the second year in a row, the Junior Cammies recognise budding talent among our younger generation. The Junior Cammies is but a stepping stone for them and we applaud their persistence and passion for the arts. Certainly, their engaging performances coupled with their drive and potential, lend a youthful perspective that will orchestrate the further growth of the performing arts in Malaysia,” Russell added.
Low Ngai Yuen, president of Kakiseni, had this to say about the 13th BCAA Technical Awards and Junior Cammies, “Kakiseni and BOH have always been such strong supporters of the arts in Malaysia and even though the nominees for the Technical Awards go unseen, their work does not, and we fully appreciate what goes into making a good show great.”
She added: “We are also adamant that the arts are a crucial component to a well-rounded education, which is why the Junior Cammies gained so much traction last year. Over a hundred schools have participated in a variety of arts programmes from BootcampSENI to the National English Drama Competition 2015 and that contributed to the addition of a theatre category at the Junior Cammies on top of last year’s lone musical theatre category. But there must be continuous engagement with the young, the Ministry of Education, and school administrators and teachers to nurture the seedbed of talent and ensure that the creative industry flourishes in the future. Currently, Kakiseni and BOH are expanding the access of arts to schools and getting a larger number of artists involved in training, speaking to and informing the students about the importance of the arts in their lives.”
The 13BCAA Technical Awards and Junior Cammies were judged by an independent panel of judges comprising reputable practitioners in the performing arts industry. The tabulations and balloting were then conducted by PricewaterhouseCoopers (PwC), the Awards ballot partner.
The recipients of both the 13th BCAA Technical Awards and the Junior Cammies received an award in recognition of their success as well as a RM1,000 prize.
Members of the public can also own a little piece of the awards in the form of a commemorative BOH Cameronian Gold Blend Tea canister, available in 3 limited edition designs. They can redeem ONE Limited Edition BOH Cameronian Gold Blend tea canister when they purchase a copy of “And Oh, These Are My Superpowers” at their nearest MPH bookstore in a single receipt. This promotion is valid from 15 April 2016, while stocks last.
And remember to save the date on 24 April 2016, 8.00pm, when we go all out to celebrate the 13th BOH Cameronian Arts Awards at D’Saji KL Titiwangsa, Lot 143, Seksyen 87, Jalan Kuantan, 53200 Kuala Lumpur.
For a complete list of the recipients of the Technical Awards and the Junior Cammies, please refer to the attached document. For more information on the 13th BOH Cameronian Arts Awards, please visit http://awards.kakiseni.com
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The Malaysian Reserve: Let’s Hear It For Practitioners of the Arts
The Malaysian Reserve: Taking Action Beyond Celebration
It’s been 13 years of the BOH Cameronian Arts Awards and the gatekeeper — Kakiseni — is taking it beyond the awards show, into schools and universities around the country.
After the main awards show on April 24 (and the Junior Cammies on April 11), Kakiseni will do a nationwide series of workshops at selected educational institutions. The subject of the workshops will be three major traditional art forms — mak yong, bangsawan and wayang kulit.
“This year it’s not just about celebration, but action,” said Kakiseni president Low Ngai Yuen. She was resplendent in a batik-themed dress at the 13th BOH Cameronian Arts Awards Nominees Party at Alexis Bistro, The Gardens Mall, Mid Valley, last week.
This year’s 13th BOH Cameronian Arts Awards, organised by Kakiseni, embodies the theme of “Yesterday for Tomorrow”, symbo-lising a return to simpler, less complicated times, when the arts were home-grown and they emphasised human storytelling, reminding us what’s truly important (the human connection, the human journey together), and why something matters, paying homage to the past and also blending it with contemporary times to reach wider audiences.
The series of workshops planned after the awards show is a testament to Kakiseni’s commitment to taking the theme farther and doing something beneficial with it. The workshops will be in collaboration with experts in each respective disciplines. For mak yong, there will be Rosnan Rahman; Zakaria Ariffin for bangsawan; and Eddin Khoo for wayang kulit. There will be one workshop per week at a different school or college with Low hoping the programme to go to each state.
“We want to make these art forms more relevant to the new generation,” said Low. “We want to expose young people to mak yong, bangsawan and wayang kulit, to encourage them to play with it and enjoy themselves while exploring. The end result could be a school band playing alongside a mak yong performance or wayang kulit — we just want to see young people discussing and perhaps embracing culture and tradition. We want to make culture, mainstream once again. At the same time, we don’t want to shove it to them, but more of showing them what it actually is.”
It’s a noble endeavour — one borne out of necessity. Aside from pushing culture as part of students’ co-curriculum, there is very little hope to include the arts as part of the main syllabus.
“Every time I knocked on doors, be it with the Ministry of Education or other agencies, the answer has always been a No,” said Low. “But you have to understand it from their point of view as well. The current education syllabus is so big, and teachers, the ministries and departments have to teach so many things to the youth.”
Today’s teachers, especially, are burdened with so much workload that it is perhaps unwise to add more on their plates. This is why Low sees the workshops as an initiative that Kakiseni and others can undertake to help bring culture and the arts to the youngsters. Kakiseni is working with various government departments and private sponsors to make this a reality.
A question was raised on why the three art forms are distinctly Malay.
“I see these as Malaysian art forms,” said Low. “The roots are in Malay culture, but they are distinctly Malaysian. In today’s context, everything is made out to be so segmented and racist, but we can leave that out when it comes to culture, arts and tradition.”
Such brave and noble words, but would Low herself accept that such changes to society could take 50 to 100 years in order to take root?
“I hope it’s sooner than that,” she said, with a smile.
The Nominees Party saw the announcement of names vying for the BOH Cameronian Arts Awards in 48 categories — the same number as last year. The theme of “Yesterday for Tomorrow” will be interpreted by Ida Nerina who will direct the show at Restoran D’Saji at Titiwangsa, Kuala Lumpur, this April.
“The magic touch of Ida will result in a fantastic show,” said Low. She admitted that choosing bangsawan, mak yong and wayang kulit as the main interpretation of “Yesterday for Tomorrow” means a more subdued BOH Cameronian Arts Awards compared to last year’s “80s chic”, for instance.
“It’s a different kind of glitz and glam, and I believe when Ida is done with it, you will see a fabulous show.”
During the press conference, BOH Plantations Sdn Bhd head of marketing and export, Chen Chaw Chang, together with Low, unveiled the limited edition BOH tea canisters which pay tribute to bangsawan, wayang kulit and mak yong art forms.
“BOH is honoured to be part of the 13th edition of the BOH Cameronian Arts Awards. What an interesting and enjoyable journey it has been for us, as we lent our support to Kakiseni to recognise and nurture performing artistes in Malaysia,” said BOH Plantations CEO Caroline Russell in a post-release.
“This year, we are pleased that the awards pay fitting tribute to the bangsawan, wayang kulit and mak yong performing arts. This recognition reiterates the rich cultural heritage they add to our local performing arts. Having held together much of the social fabric of traditional society in the past, it’s important that we acknowledge these art forms. In their honour, BOH has released a limited edition BOH Cameronian Gold Blend packaging.
“We congratulate the nominees of the 13th BOH Cameronian Arts Awards. We urge them to continue to nurture their passion for the performing arts and to share it with future generations.”
For the full list of the nominees for the 48 categories honoured in the 13th BOH Cameronian Arts Awards, please visit awards.kakiseni.com.
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theStar: Meet some winners of the BOH Cameronian Arts Awards
Theatre enthusiasts are drawn to theatrical productions for varied reasons, ranging from script, choreography, cast to musical score.
While actors, directors and choreographers often steal the spotlight, there are many unsung heroes who work tirelessly behind the scenes.
These individuals include set designers, lighting designers, make-up artists and sound directors who painstakingly make everything work like clockwork.
Without these key players’ dedication and hard work, our experience of the performing arts wouldn’t be as impressive or enjoyable.
In recognition of their outstanding efforts, online arts portal kakiseni.com and Boh Plantations feted the recipients of the 13th Boh Cameronian Arts Awards (BCAA) Technical Awards and Junior Cammies. At the event, held in Kuala Lumpur last week , 20 winners received awards in categories including light, set, sound and costume, styling and make-up for dance, musical theatre and theatre.
Recipients of the 13th BCAA Technical Awards and Junior Cammies received an award and RM1,000. The main Cameronian Arts Awards ceremony takes centrestage on April 24 in Kuala Lumpur.
For the Technical Awards and Junior Cammies, it was a memorable event especially for first time winners Zen Tan – recipient of Best Set Design award for The Dawns Here Are Quiet under the theatre category and Clarence Chua, who won Best Sound Design for indicinelive! The Revival Show 2015 (for theatre).
Another first-time winner Priyangka Satsitananda, smiled gleefully after clinching the award for Best Costume Design, Styling & Make-Up for Sand The Musical (musical theatre category).
“I am really surprised as this is my first involvement in a musical play. Prior to this, I have helped out in charity shows. Winning the award feels great,” she said.
Introduced last year, the Junior Cammies seeks to reward the best musical theatre staged at local secondary schools. Last year, it also included theatre productions to provide a bigger impetus for students to stage plays.
For this year’s Junior Cammies, Brendan Tang clinched Best Principal Role (theatre category), for his performance in The Ketchup Bottle in Sri Emas International School’s Student Directed Festival Season One. Reuben Chow and Shahrizuan Shaharuddin won for Best Production Design (theatre category), for their work in Fugue in another Sri Emas production (Student Directed Festival Season Two). Cempaka Cheras School student Charmaine Koh Sher Min walked away with Best Principal Role (musical theatre) for her role in Annie, The Musical.
Currently, Kakiseni and Boh are expanding access of the arts in schools by involving artists in training. Kakiseni president Low Ngai Yuen said children who are exposed to arts programmes are more confident, well spoken and have a stronger civic mind.
“The arts is crucial to ensure a well-rounded journey in education. It is not about turning more students into artists. Rather we are looking at the versatility of a child to communicate, build lateral skills, lead and be excellent in future quests,” said Low, who is working with the Education Ministry to champion the 2016 National English Drama competition, taking place in August.
The National English Drama Competition is an ongoing competition initiated by the Education Ministry to improve English fluency in schools and encourage students’ participation in the performing arts.
For the list of of winners, go to kakiseni.com.
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Star 2: BOH Cameronian Technical Awards celebrates the work of backstage magicians
There was much merrymaking and festivity in the air. Groovy tunes from the halcyon years of disco played in the background. It was clearly an afternoon of celebration.
Sipping tea and eating delectable pastries, the crowd chatted jovially. Many of them were obviously friends. These were the who’s who of Malaysia’s performing arts industry, with the likes of Mano Maniam, Joanna Bessey, Joseph Gonzales and Sandra Sodhy, in the mix.
These names and many others were gathered at Makespace by Kakiseni, Quill City Mall, Kuala Lumpur on April 15 to celebrate the men and women who create the magic on stage without even appearing on it.
This was the 12th BOH Cameronian Technical Awards, happening in conjunction with this 12th BOH Cameronian Arts Awards. Popularly known as the Cammies, the annual awards is organised by arts portal Kakiseni and seeks to honour outstanding achievements in the performing arts industry.
The Cameronian Technical Awards, which this year had 10 categories and 36 nominees, endeavours to recognise and honour the talented people who are as integral to a performance as the performers themselves, albeit remaining behind the scenes.
The categories that contended for the Technical Awards were light, set, sound as well as costume, styling and make-up for dance, musical theatre and theatre. As for the Junior Cammies, the five categories were design, original script, ensemble cast, principal role performance and direction.
Each winner walked away with an award and RM1,000. The afternoon kicked off with the Dance category, presented by Dama Orchestra’s artistic director Pun Kai Loon. Tan Eng Hen was the sole nominee for Best Lighting Design and grabbed the award for his work in Cut The Clouds, which was part of d’MOTION 2014 – d’Next Choreographer Exchange.
“It’s a very encouraging effort that Kakiseni is doing. The awards encourages artists to work harder and push themselves,” said a gleeful Tan.
He reckoned that this recognition could serve as an incentive and inspiration for the younger light designers to hone their craft and aim for the nominations.
As for the Best Set Design, the award went to British transplant Paul Loosley for the ballet rendition of Tennessee Williams’ A Streetcar Named Desire, while Low Khay Hooi and Wong Siew Jiuan picked up the award for Best Costume Design, Styling and Make Up for The Unicorn’s Travelogue, presented by Kwang Tung Dance Company.
The afternoon then moved on to the Musical Theatre category. Dance choreographer and founder of Nyoba Kan, the country’s only Butoh dance company Lee Swee Keong presented the awards for this category.
The biggest winner was Tall Order Productions’ Supermokh The Musical for Best Sound Design and Best Lighting Design, which went to Ivan D’Cruz and Ee Chee Wei respectively.
Loh Kok Man won the Best Set Design for Rhythm In Bronze’s children’s music theatre Ombak! Tales From Above And Beneath The Waves. Written by Jo Kukathas and directed by Ghafir Akbar and Lorna Henderson, the story revolved around a group of children sailing the seas in search of a creature that had kidnapped their parents.
French designer Dominique Devorsine grabbed the award for Best Costume Design, Styling and Make Up for the whimsical and colourful Seussical The Broadway Musical.
Yang Wei Han, who played Prince Siddhartha in Prince Siddhartha the Musical, presented the awards for the theatre category.
Andy Lim picked up the award for Best Lighting Design for Raj and The End of Tragedy, a big contender at this year’s Cammies. Hamzah Tahir won the Best Set Deisgn for his works in Projek Kahwin while Eugene Ng clinched the Best Costume Design, Styling and Make Up award for Fiery Family.
Finally, the ceremony arrived at the newest kid on the block, the Junior Cammies. Cempaka Schools, Sri KDU Secondary School and The International School@ParkCity were the three contending schools for the five categories.
Sri KDU Secondary Schools emerged as the biggest winner of the afternoon, grabbing four of the five awards for its musical The Fortunettes. Student Hannah Christina Subramaniam won the Best Principal Role while teacher Zachary Wong Ket Lud grabbed the awards for Best Direction and Best Original Script/Work with fellow writer Celeste Lim Pui Li. Alex Chong, Jessie Wong and Andrew Tan clinched the Best Production Design award.
“I am very honoured and excited to win this award. I think BOH and Kakiseni have done a good job in providing a platform for our works to be checked and not merely recognised. Whatever we do at school, we hope to match the standards of the professional practitioners,” said a jubilant Zachary Wong.
Cempaka Schools’ musical comedy The Wedding Singer won the award for Best Ensemble.
The 12th Boh Cameronian Arts Awards – Gala Night will be held at Soju, Level 12, 13 & 13M, Sunway Hotel Resort & Spa, Persiaran Lagoon, Bandar Sunway, Selangor on April 26. For more details, visit kakiseni.com
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